BBC Dope Girls Umi Myers teases scene ‘I never thought I’d do’ as she delves into filming of historical drama
Umi Myers, star of the upcoming BBC interval drama Dope Ladies, has revealed her ideas on a “grotesque and subversive” scene within the present.
The Silent Witness actress will play Billie Cassidy, a nightclub performer in interwar London.
Dope Ladies follows the event of London’s nightlife
BBC
Nevertheless, the brand new BBC present focuses on the “newly empowered era of girls” who took to work of their absence and have been then “loath to easily return to the kitchen”.
As “illicit” underground nightclubs sprung up across the capital’s Soho space, newly emancipated women might now discover the “beforehand unimaginable alternatives on both facet of the regulation”.
One such particular person was Billie Cassiday, performed by Myers, who made her identify as an unique dancer.
Reflecting on the solid of characters, Myers celebrated the present’s exploration of the gray areas of morality.
LATEST DEVELOPMENTS:
Umi Myers stars as Billie Cassiday
BBC
“They aren’t good; they aren’t dangerous. They make very questionable decisions, all of them,” she informed the BBC.
What united them, she surmised, was that they have been attempting “to navigate the world at a time that’s oppressive for ladies”.
Talking about her personal character, Myers described Cassiday as “a pioneer on this world” whose performances are extra than simply leisure.
She defined that the position gave her the chance to do some “actually, fairly cool” stuff, as thrilling because it was “transgressive”.
Myers revealed celebrated her character as a “pioneer”
BBC
Myers describes her “grotesque and subversive” pastiche of Botticelli’s Venus as one thing she “by no means thought I might do”
BBC
Myers described a specific scene the place she dances round with the severed head of John the Baptist.
The actress described the second as “one thing that’s very provocative and it’s additionally very guttural and grounded”.
Nevertheless, Myers defined she is extra “excited” for audiences to see a scene she “by no means thought I might do”.
In a single routine, Cassiday performs a “grotesque and subversive” pastiche of Botticelli’s Venus which sees her rising from a clam shell.
Through the quantity, she “pulls a pearl” out of her mouth and presents it to the viewers.
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